FluCoMa / Human-Centered Machine Learning (MHL)
Einführung in das Machine-Learning-Softwarepaket FluCoMa
Beschreibung
In diesem Workshop wird Pierre Alexandre Tremblay, Forschungsprofessor für Komposition am Conservatorio della Svizzera italiana (Lugano, CH), eine Einführung in das von ihm Entwickelte Machine Learning Softwarepaket Fuid Corpus Manipulation (FluCoMa) geben. Er wird Inhalte von FluCoMa erläutern und einen Einblick in die praktische musikalische Arbeit mit Machine Learning geben.
Mit Prof. Nicola Hein.
Termine:
24.04 - 18:00-20:00 Tremblay and Flucoma - Past Present and Future
25.04 - 10:00-12:00 - Intermediate to Advanced Flucoma
25.04 - 13:30-15:30 - Flucoma in SuperCollider and Max/MSP
25.04 - 16:00-18:00 - Playing with Machines
Wo: Spatial Audio Lab (Königstraße 54, 23552 Lübeck - Übergangshaus, 2.OG)
Lehrkraft: Pierre Alexandre Tremblay
Zielgruppe: Alle ab 16 Jahre alt.
Gruppengröße: bis 30 Teilnehmer*innen
Voraussetzungen (Schwierigkeitsgrad):
Für active Teilnehmer*innen: Vorkenntnisse von Max MSP.
Aktive Teilnehmer*innen: Rechner mit Max MSP 8 oder 9, SuperCollider, mit FluCoMa und Kopfhörer mitbringen.
Anmeldung: Eine Voranmeldung ist erforderlich.
Kontakt: eduardo.loria.lazcano@mh-luebeck.de
Bio:
You know him as an electroacoustic musician, but you discover he’s into contemporary jazz. He’s a consumate improviser but few know he’s also a studio musician. You think you’ve pegged him as a lecturer and then discover that he’s a producer. He’s played bass guitar forever, but is equally happy playing the laptop.
Pierre Alexandre Tremblay is never quite where you expect to find him. Each of his activities is influenced by the others and he loves that this shapes his creativity infinitely, keeping him from always staying in one place.
Québécois by birth and by temperament, Pierre Alexandre has taught composition and improvisation at the University of Huddersfield in England since 2005, where he anchored the Fluid Corpus Manipulation project. Since 2024, he is Research Professor of Composition at the Conservatorio della Svizzera italiana (Lugano, CH).
He has also collaborated on a variety of projects, playing bass guitar and manipulating sound, blending from noise to free jazz, from punk rock to contemporary music.
Pierre Alexandre Tremblay follows many paths to the same end: the hybridization of his various musical influences into a single, coherent poetic language.