DIWO (Do It With Others): Tupperware Synth-Making Workshop (MHL)
In diesem Workshop lernen wir, wie man Synthesizer mit Mikrocontrollern baut. Dabei dienen Tupperware-Behälter als Gehäuse.
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In diesem zweitägigen Workshop lernen wir, wie man Synthesizer mit Mikrocontrollern baut. Dabei dienen Tupperware-Behälter als Gehäuse.
Mit Jena Jang und Prof. Nicola L. Hein
Termine:
Montag 27.10.2025, 10:00-18:00 Uhr
Dienstag 28.10.2025, 10:00-18:00 Uhr
Wo: Spatial Audio Lab (Königstraße 54, 23552 Lübeck - Übergangshaus, 2.OG)
Lehrkraft: Jena Jang
Zielgruppe: für alle Interessierte ab 16 Jahre, mit Computer- und Programmierung Erfahrung.
Gruppengröße: bis 15 Teilnehmer*innen
Voraussetzungen (Schwierigkeitsgrad):
Für aktive Teilnehmer*innen: Die Teilnehmer*innen bringen ihre eigenen Tupperware Boxen.
Anmeldung: Eine Voranmeldung ist erforderlich.
Kontakt: eduardo.loria.lazcano@mh-luebeck.de
Eduardo Loria - Projektleiter
Bio: Jena Jang is a South Korean experimental musician, DIY instrument builder, performance artist, and artistic researcher based in Prague. Their multidisciplinary practice centres on trauma healing through intensity of live performance, exploring harmonic dynamics between environments and objects, energetic exchange between artist and audience, sensory connections with non-human beings, and the musical interpretation of organic patterns found in nature.
Their projects are grounded in field recording and analogue electronics, informed by wide-ranging interests including urban noise, birdsong studies, and somatic voice experimentation. They explore sound through practices such as circuit bending and the reconfiguration of children's toys, expanding the possibilities of sound creation and interaction.
Influenced by ancient shamanic rituals and free jazz, their performances use trance states and intuitive sound-making as tools for self-healing and emotional transformation. One of their signature gestures involves capturing the motor noise of a hairdryer and routing it through a chain of vintage effects pedals from the 1980s to early 2000s. This act, rooted in a childhood memory of their mother drying their hair, becomes a ritual of intergenerational care and sonic time travel — transmitting memory and emotion through obsolete technology. This recurring gesture has become a central symbol in their evolving artistic universe.
https://jenajang.com/